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Desde el movimiento en redes sociales Now you see me Moria hasta el Hope Art Project, las comunidades refugiadas en Lesbos est\u00e1n empleando las plataformas digitales para combatir las leyes, pr\u00e1cticas y discursos restrictivos que les imponen las autoridades estatales. <\/p>\n","protected":false},"featured_media":36578,"parent":24138,"menu_order":0,"template":"","fmr_themes":[],"fmr_region":[],"fmr_issue":[121],"fmr_year":[],"fmr_content_type":[27],"fmr_languages":[38],"fmr_list_years":[661],"class_list":["post-36202","fmr_content","type-fmr_content","status-publish","has-post-thumbnail","hentry","fmr_issue-121","fmr_content_type-article","fmr_languages-spanish","fmr_list_years-661","entry","has-media"],"acf":[],"yoast_head":"\nLa transformaci\u00f3n de los movimientos refugiados en Lesbos por medio del arte y las redes sociales - Forced Migration Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La transformaci\u00f3n de los movimientos refugiados en Lesbos por medio del arte y las redes sociales - Forced Migration Review\" \/>\n<meta property=\"og:description\" content=\"Desde el movimiento en redes sociales Now you see me Moria hasta el Hope Art Project, las comunidades refugiadas en Lesbos est\u00e1n empleando las plataformas digitales para combatir las leyes, pr\u00e1cticas y discursos restrictivos que les imponen las autoridades estatales.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/\" \/>\n<meta property=\"og:site_name\" content=\"Forced Migration Review\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-20T09:19:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.fmreview.org\/wp-content\/uploads\/2024\/04\/Nurosso-Illustration-ES.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/\",\"url\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/\",\"name\":\"La transformaci\u00f3n de los movimientos refugiados en Lesbos por medio del arte y las redes sociales - Forced Migration Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.fmreview.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.fmreview.org\/wp-content\/uploads\/2024\/04\/Nurosso-Illustration-ES.jpeg\",\"datePublished\":\"2024-04-13T11:06:04+00:00\",\"dateModified\":\"2024-08-20T09:19:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/#breadcrumb\"},\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\/\/www.fmreview.org\/disrupcion-digital\/nurosso\/#primaryimage\",\"url\":\"https:\/\/www.fmreview.org\/wp-content\/uploads\/2024\/04\/Nurosso-Illustration-ES.jpeg\",\"contentUrl\":\"https:\/\/www.fmreview.org\/wp-content\/uploads\/2024\/04\/Nurosso-Illustration-ES.jpeg\",\"width\":2560,\"height\":1706,\"caption\":\"Pintura sin t\u00edtulo, obra de Abdullah Rahmani en 2020. 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